A multidisciplinary practice working across photography, drawing, moving image and constructed objects. The work is deeply concerned with the psychology of trace: the marks, fragments, absences and signs through which we orient ourselves in the external world and within our own internal landscapes.

Drawing on a background in geography and a longstanding engagement with psychology, the practice considers trace as both evidence and orientation. Traces may be inherited, preserved, concealed, lost, erased, rediscovered or reconstructed. They may reach us from the past or be consciously or unconsciously left for the future. Maps, puzzles, mazes, boundaries and pathways recur both conceptually and formally, reflecting parallels between physical navigation and the ways memory, emotion, identity and experience help us locate ourselves.

The practice moves between distinct visual and material languages, bringing images, objects and materials into relationship while retaining their individual character. Photography, resin, metal, wood, text, archival fragments, found materials and moving image become ways of preserving, interrupting and reconfiguring evidence of passage, presence and experience.

An autobiographical strand considers inheritance, family history, displacement and integration as forms of trace, examining how fragments of personal and collective history remain legible in the present and how they can contribute to routes towards the future.